SHIMLA- It is often said, every great dream begins with a dreamer. One must always remember that one has within self the strength, the patience, and the passion to reach for the stars to change the world.
Keeping in mind the same talented Ajay Saklani hailing from a remote village Sihan, district Mandi of Himachal Pradesh, made the state proud not at national but even at international level by bagging two international awards during screening of his film Saanjh – a Himachali feature film at THE BORREGO SPRINGS FILM FESTIVAL (held in California, USA) where it was chosen as the Best Feature Film among 750 other entries from around the globe was and “Award of merit” at Accolade Global Film Competition.
Ajay hails from a very humble background and showed people that one should be the flame and not the moth as having passed out from a government school his dream to achieve recognition not just for self but even for state and country.
Sharing his journey to fame he with Himachal Watcher’s Community Member, Ritanjali Hastir, Ajay said,
My father was in army and he dreamt about me too following his footsteps. However, I was more inclined towards filmmaking that led me to taste the magic of theatre world.
As they say follow your passion, be prepared to work hard and sacrifice, and, above all, don’t let anyone limit your dreams so without any knowledge and guidance on filmmaking, Ajay shifted to Delhi in 2005.
There he joined RGB 4:3 Productions and learned the basics of filmmaking from Surender Sagar. He started his career as an editor and worked with some more production houses and few TV channels like Shakti TV, MH One Music, PTC Punjabi, Day & Night News to name.
His first documentary ‘Dyalee – a fading glory’ in 2006 in my village which helped him learn filmmaking basics. His second documentary ‘Upaasmar – The Taste of Hunger’ in 2011 was shot in the tribal areas of Maharashtra raising the issue of Malnutrition deaths in India and finally in 2014 after coming back to Himachal his own production company Silent Hills Studio in Hamirpur came into existence.
“With ‘Saanjh’ production I wanted to make a technical sound film that can compete with other films in the cinema halls. I hope that my work can inspire other filmmakers too and together we can promote Himachali cinema by providing with the quality work in future,” he shared.
“I feel that it was a film that fell in Art as well as Entertainment genre that made it touch hearts at the international level. As normally if we talk about Himachali Cinema, there is no such Cinema as of today in Himachal. Only a few films were produced till now and because of poor technical and creative work, those films could not make it to cinema halls or any film festivals around the country or world”, he expresses.
“Many people outside the state felt embarrassed considering the sad quality of music videos which fail to ravish visual or hearing senses; as they are also judged with the same rod. Recently some singers have given a ray of hope as they came forward with different music and quality videos. Many other singers from the state but they are all focused on Hindi and Punjabi music”, Ajay added as he contemplated on the situations one has to face considering the previous track records.
He further feels, “Cinema on the other hand is still untouched. As in 2011 Sanjeev Rattan’s ‘Dil Ch Vaseya Koi’ even won the National Award but due to the technical issues, the film failed to make it to cinema halls.Some filmmakers are coming up with great ideas for short films but again they are also focused on Hindi language. I believe until all these people don’t start making Pahari(Himachali)language films, there is no support for any kind of cinematic development in Himachal. Recently Siddarth Chauhan made a mark with his latest work and I feel happy that his next project is in Himachali language. It seems like a beginning of a new era for Himachali Cinema that has been neglected from a long time.”
“There is a great potential in Himachal and I receive a lots of calls everyday where people want to enter into acting or filmmaking and looking for guidance. But to their eagerness alone won’t do wonders we do need government support as well like in other states. The only exciting announcement is the financial support upto 10 lakh for filmmakers but only for short films and documentaries which again needs running from pillar to post and I can say is a herculean task. Exempting new cinema halls from tax for first three years is not taking filmmakers anywhere but support for film production in the state is better option which will also help in generating more and more tourism revenue.”
“Talking about my experience while making ‘Saanjh’ was a very difficult journey. Finding a producer or financier for a film in Himachali dialect was most difficult part. On the other hand our Himachal government doesn’t provide any kind of support for filmmaking in the state but expect a lot for the youth. Making people believe in me our project wasn’t easy,” shared Ajay as he keeps his view on talent promotion.
“As per his message he says My upbringing gave me deep insight into our culture and after coming back I realized a drastic change people in my village were trying to talk to in Hindi and the kids were being taught the Hindi and English words and were given punishment for talking in their own language. All our festivals were in disappearing stage and people had surrendered their traditions in the name of development. Actors feel ashamed to work in a Himachali film so very few actors turned out for auditions and they are happy to become part of crowd when a director from Mumbai.”
“I feel that as we don’t have a recognized language and we don’t have our own script to preserve the sounds of our language so there seems no way for the development of literature in our state. But yes, Cinema and Music can help in development of language & culture and it can take forward our traditional heritage. So this is very much important for us to have our own cinema and quality music. In all these years I learned the cinema, music and literature play a significant role in the development of language and culture and so we need to come forward and give Himachal its due respect,” he concludes.
Self-taught local artist to exhibit ’17 Paintings’ oil painting works at Gaiety, Shimla
Shimla: For the art lovers and critics in Himachal Pradesh, a self-taught local artist will showcase his collection of oil paintings titled “17 Paintings” on a two-days exhibition at the historic Gaiety Theater, Shimla on December 9 and 10 from 11.00 AM to 6.00 PM.
Surya Ranjan Shandil (31), who hails from Solan district, works in Bengaluru as a computer programmer in the field of education technology. After his schooling from Shimla, he obtained a B.Tech Degree from Indian Institute of Technology, Kanpur.
However, he did not ignore his love for the painting and continued it at evenings after college, work, on weekends, and Sundays.
Later, Ranjan realized he has a collection of his own. His first solo exhibition was held in November 2016 at the Gaiety Theater.
The appreciation he received at the first exhibition encouraged him to present his second collection of oil paintings that he painted during 2017.
He received his education upto Class 12 from Shimla’s St. Edwards and Dayanand Public School.
He is best known for his captivating genre paintings.
I started drawing at the age of 3-4 years. At that time, I used to sign the drawings with incorrect spellings of my name,
Ranjan told Himachal Watcher
His father, Dr R G Shandil, who is now retired, was a professor of mathematics at the H.P. University, Shimla. His mother Dr. Sandhya Shandil was a teacher at the St. Edward’s School, Shimla.
After graduating in 2010, I started with oil painting during the evenings and weekends. Gradually I built up a collection and in November 2016, I held my first solo exhibition of 29 oil paintings at gaiety,
Ranjan’s paintings reflect people. The upcoming exhibition opens with simple themes like the joy of shopping, local festivities, celebration, dance and music. Most works painted on these themes are in the context of Himachal.
Following these are mellow paintings ‘Seaside Nap’ and ‘Personal Sunrise’ – more subtle takes on human thought. The artist also takes a step towards satire in comically interesting works ‘Monkeys’ and ‘Chimpanzees’.
Slowly moving towards expressionism ‘Kayal’ takes the viewer to the realm of subjectless painting while in ‘Frenzy’ the artist dispenses with form.
Ending on a light hearted note, the paintings ‘Bonfire’ and ‘A Silent Conversation’ recreate the magic of Gabbar Singh and Rajesh Khanna on canvas.
About his love for painting, he said,
I believe art is a journey of constant improvisation.
It would be his second solo exhibition. Earlier, he has participated and won prizes in several painting competitions throughout his schooling and B.Tech.
Pahari short film ‘Pashi’ selected for Oscar qualifying ‘Rhode Island International Film Festival 2017’
Shimla – A short-film Pashi, from the budding short-film maker from Shimla, Sidharth Chauhan, has made into the prestigious Rhode Island International Film Festival to be held in the United States in August 2017. The festival is held every year since 1997.
The film is produced under the Secret Corridor Picture and it will be film’s first international premiere.
RIIFF is an official Oscar qualifying event. This year, PASHI is the only film selected from India. If Pashi manages to grab an award here, it will be directly nominated for the prestigious Academy Awards or the Oscars Awards.
PASHI means a trap in the regional Pahari dialect of Rohru (Nawar valley), especially around the villages like Tikkar, Pujarli, Dhanoti, and Khalawan. It is a very old traditional concept used by villagers and children to hunt birds and animals.
The film is inspired from Siddharth’s childhood memories in his native village Dhanoti (in Rohru).
Pashi, written, directed and produced by Siddharth, is a story of a young boy (Chetan), who learns about this technique of trapping birds from his old grandmother (Savitri Ji). He begins to practice it. His friend John encourages him to go for it while his mother is worried about his future.
The film was primarily shot in Sunta Lodge, a beautiful wooden mansion of Village Khalwan. Some of the parts were also filmed in Village Dhanoti neat Tikker.
The production team is excited on receiving the news. “As an independent film production house based in Shimla, this is a dream come true and an unparalleled honor for all of us,” said the team.
Lead actors include Chetan Kanwar, a Class XII student at the Chapslee School, Shimla, John Negi, a model/actor from Rampur, Kamayani Bisht, an English Professor at the Government College Theog, Savitri Devi Sunta, the oldest family member of the Sunta family in Khawalan.
Supporting case includes Dewansh Kanwar (Chapslee School), Aditi Sunta ( Rohru), and Dev Ranta (Rohru).
Other crew members are as followed.
- Assistant Directors: Mridul Surbhi, Shefali Chauhan & Ankit Rathore
- Camera: Yashwant Kumar Sharma from Shimla
- Music: Prabir Sekhri from Canada
- Sound: Tanmaya Das from Mumbai
- Visual Effects: Himanshu Hirwani from Pune
- Story/Direction: Siddharth Chauhan from Shimla
- Associate Producers: Swati Chauhan & Ankit Rathore (from Delhi)
Shimla-based travel writer releases his new book “Tea Shop at Narkanda”
SHIMLA- Recently, Shimla-based travel writter, Sumit Raj Vashisht released his new book “Tea Shop at Narkanda”.
The book is a story from the hills. Through the life of Birju, the protagonist, the book talks about the victims of the natural calamities such as flash floods and cloud bursts. The over construction, the thinning of forests and increasing number of traffic in the hills are causing various destruction. The so called development is bringing unfortunate desolation. How miserable the life becomes due to the natural calamities in the hills is the flavour of the story. The traditions of the life in the hills, around which the life revolves are fading away, are also talked about in the book.The book is now available on Amazon.
Sumit was born at Shimla in 1967. His father, a railway engineer by profession also a well known Urdu poet under the pen name of Talat Irfani, was never interested in leaving Shimla. But because of his official transfers he had to move first to Rohtak and then to Delhi. Sumit’s phase of academic education was spread over these three towns because of which despite being a nature lover and a writer on nature based themes could not acquire the culture of big towns.
Hills, his first love, where he hails from, here he tells stories, conducts educational camps for school children, writes books on his travels, works as a Heritage Guide and a Tour Companion on Himalayan Valleys outings and helps those British who return to India looking for their family history. His innovative ideas of providing experiences to his traveler clients have made Shimla Walks, his company famous.
In his words,
it is impossible for me to live away from the mountains. Mountains travel like blood in my veins and when I inhale; they enter my mind and body.
Sumit has authored five books already but Tea Shop at Narkanda is his first novella.
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