SHIMLA- Aparna Sud, a girl from queen of hills – Shimla, Himachal Pradesh, who has been behind the look of diverse films including ‘Nishabd’, ‘ABCD: Any Body Can Dance’ and ‘Tevar’, has stunned Bollywood after she recreated identical ill-fated Pan Am Boeing 747 aircraft for movie Neerja. The movie, based on true story of Neerja Bhanot, who had sacrificed her life to save passengers on a hijacked aircraft in 1986, is receiving warm response from audience. So, Aparna shares the credit for it.
Aparna (38) had left Simla for Mumbai to pursue her professional ambitions, starting out as an interior designer in 2001. However, she gradually paved her way into Bollywood. But ‘Neerja’ is her biggest breakthrough as a production designer so far. Other than Neerja, she has also completed an international project for a Hollywood film, Heartbeats, which is directed by Duane Adler.
A set designer is often the “invisible” talent on a production team. But his/her presence is seen in how the spaces that inhabit a director’s imagination come to life. Production designer Aparna Sud is among those artists and her latest accomplishment is the film Neerja, for which she designed a set that resembled the ill-fated Pan Am flight 73 which was hijacked on September 5, 1986, while on the ground at Karachi, Pakistan, by four armed Palestinian men of the Abu Nidal Organization.
When production designer Aparna Sud signed up for Ram Madhvani’s Neerja, rather than getting nervous, she decided to take it up as a challenge. “This is going to be interesting,” she told herself before heading to the drawing board.
A lot of research went into making the aircraft. She elaborates,
It was almost like going back to school. I had to take into consideration a lot of references. I started with the layout, drawings and made some 3D models. I referred to every resource available online, including a website that was set up by the ex-employees of Pan Am (Pan American World Airways). I also went through technical manuals of Boeing 747, consulted pilots who have flown the aircraft and also met aeronautical engineers and flight attendants.
Constructed in 48 days at a site in Mumbai, the aircraft was painstakingly put together by a floating team of 250 per day, working 12 hours a day and then 24, as the deadline for filming approached. Research was intensive – from poring over actual images of the plane, as well as pictures from the day of the hijack, to going through all documented references and even Pinterest. What really helped was snagging a copy of a manual of a Boeing 747 “meant only for staff”, and scouring a Pan Am employees’ website for “every little thing, from the switches to the button you press to recline your seat – and the way all of that works”, Sud says.
She is happy that her effort has paid off and the film has won rave reviews for the precision and detailing involved. Aparna, who started out as an interior designer, worked with an architect for almost six years before she shifted base to Mumbai. W
hen I came to the city in 2002, my sister asked me if I would like to assist a production designer. I agreed, and that’s how my journey in Bollywood began,
On Aparna’s wish list is a chance to recreate the Mughal dynasty from scratch, for the screen. A period film aficionado, she says,
I would love to work on a period film. Mughal-e-Azam is among my favourite films, and it is quite a challenge to recreate that era.
Mulakaat: A candid video shot in Manali dedicated to Mother Nature
Kullu: A Manali-based startup, 4Play, has offered perhaps the most wonderful tribute to the mother- nature on this Mother’s day. In just four days, a team of youths at 4Play prepared a video, which includes some very well shot scenes and fresh glimpses of marvellous landscapes of Manali.
The video features Praveen Ghanghas (29), a nomadic mountain lover, who can be seen climbing up a high deodar tree and standing at the top of it like an eagle. No need to say, the view was breathtaking.
The 4Play shared some pictures of Praveen, who is definitely a fitness freak, with Himachal Watcher (HW).
He is a professional mountaineer with specialization in mountain search & rescue along with being a certified wilderness medical first aid responder. He is a part of the 4Play team and leads operations of all technical shoots at 4Play.
Nature has been depicted as a caring mother, who’s always willing to give without complaining. Similarly, Mother Nature does not a complaint about the wrath that the humankind has unleashed on it. So, we owe an apology to it for irreversible damage human developmental activities have done to nature.
Ironically, the Manali, like rest of the tourist towns, is overburdened with ever increasing tourist flow, and the resources of the place are falling victim to over-exploitation. The ecology is heading towards its doom while the government and the people are thinking only about exploiting the beauty of Manali for money.
We have been lately trying to bring forth the subject how the weight on the mountains is increasing and how the growing tourism is only making it worse. We have lately done stories on the same line. So on the occasion of Mother’s Day, we wanted to send out this video as an acknowledgement to all mothers (even mother nature) who never complain and continue to take care of us despite everything
, Shantanu Negi of 4Play told Himachal Watcher.
Is not it an excellent way to tell people to spend more time with nature and care-back for it?
The video came from the same team that was behind ‘Bawali Booch’ – a short musical and adventurous tour of Manali town. It’s worth your time.
4Play is a start-up that is catering exclusively to the Extreme, Adventure and Action sports communities in India. Curating stories from the Indian outdoors, the group is currently weaving Eastern Hemisphere’s first content network for extreme and action sports. The team is looking forward to getting into the international arena so that athletes could gain mainstream attention.
Initially, the three founders of the start-up set, Anuj, Kshitij and Sukrit, set up their own shop in a rented apartment in a shady alley of New Delhi. However, they soon realised that metropolis was way unaffordable compared to their meagre investment. That is when they made the decision to move the operations to a quaint place, away from the much-crowded Tier 1 & 2 cities.
Very recently, the start-up launched an incubation program at Indian Institute of Technology IIIT), Mandi – Catalyst. The founders say that being one of the few startups in the region, 4Play enrolled for the program to lay the foundation of a community to spearhead enterprise in the region.
Self-taught local artist to exhibit ’17 Paintings’ oil painting works at Gaiety, Shimla
Shimla: For the art lovers and critics in Himachal Pradesh, a self-taught local artist will showcase his collection of oil paintings titled “17 Paintings” on a two-days exhibition at the historic Gaiety Theater, Shimla on December 9 and 10 from 11.00 AM to 6.00 PM.
Surya Ranjan Shandil (31), who hails from Solan district, works in Bengaluru as a computer programmer in the field of education technology. After his schooling from Shimla, he obtained a B.Tech Degree from Indian Institute of Technology, Kanpur.
However, he did not ignore his love for the painting and continued it at evenings after college, work, on weekends, and Sundays.
Later, Ranjan realized he has a collection of his own. His first solo exhibition was held in November 2016 at the Gaiety Theater.
The appreciation he received at the first exhibition encouraged him to present his second collection of oil paintings that he painted during 2017.
He received his education upto Class 12 from Shimla’s St. Edwards and Dayanand Public School.
He is best known for his captivating genre paintings.
I started drawing at the age of 3-4 years. At that time, I used to sign the drawings with incorrect spellings of my name,
Ranjan told Himachal Watcher
His father, Dr R G Shandil, who is now retired, was a professor of mathematics at the H.P. University, Shimla. His mother Dr. Sandhya Shandil was a teacher at the St. Edward’s School, Shimla.
After graduating in 2010, I started with oil painting during the evenings and weekends. Gradually I built up a collection and in November 2016, I held my first solo exhibition of 29 oil paintings at gaiety,
Ranjan’s paintings reflect people. The upcoming exhibition opens with simple themes like the joy of shopping, local festivities, celebration, dance and music. Most works painted on these themes are in the context of Himachal.
Following these are mellow paintings ‘Seaside Nap’ and ‘Personal Sunrise’ – more subtle takes on human thought. The artist also takes a step towards satire in comically interesting works ‘Monkeys’ and ‘Chimpanzees’.
Slowly moving towards expressionism ‘Kayal’ takes the viewer to the realm of subjectless painting while in ‘Frenzy’ the artist dispenses with form.
Ending on a light hearted note, the paintings ‘Bonfire’ and ‘A Silent Conversation’ recreate the magic of Gabbar Singh and Rajesh Khanna on canvas.
About his love for painting, he said,
I believe art is a journey of constant improvisation.
It would be his second solo exhibition. Earlier, he has participated and won prizes in several painting competitions throughout his schooling and B.Tech.
Pahari short film ‘Pashi’ selected for Oscar qualifying ‘Rhode Island International Film Festival 2017’
Shimla – A short-film Pashi, from the budding short-film maker from Shimla, Sidharth Chauhan, has made into the prestigious Rhode Island International Film Festival to be held in the United States in August 2017. The festival is held every year since 1997.
The film is produced under the Secret Corridor Picture and it will be film’s first international premiere.
RIIFF is an official Oscar qualifying event. This year, PASHI is the only film selected from India. If Pashi manages to grab an award here, it will be directly nominated for the prestigious Academy Awards or the Oscars Awards.
PASHI means a trap in the regional Pahari dialect of Rohru (Nawar valley), especially around the villages like Tikkar, Pujarli, Dhanoti, and Khalawan. It is a very old traditional concept used by villagers and children to hunt birds and animals.
The film is inspired from Siddharth’s childhood memories in his native village Dhanoti (in Rohru).
Pashi, written, directed and produced by Siddharth, is a story of a young boy (Chetan), who learns about this technique of trapping birds from his old grandmother (Savitri Ji). He begins to practice it. His friend John encourages him to go for it while his mother is worried about his future.
The film was primarily shot in Sunta Lodge, a beautiful wooden mansion of Village Khalwan. Some of the parts were also filmed in Village Dhanoti neat Tikker.
The production team is excited on receiving the news. “As an independent film production house based in Shimla, this is a dream come true and an unparalleled honor for all of us,” said the team.
Lead actors include Chetan Kanwar, a Class XII student at the Chapslee School, Shimla, John Negi, a model/actor from Rampur, Kamayani Bisht, an English Professor at the Government College Theog, Savitri Devi Sunta, the oldest family member of the Sunta family in Khawalan.
Supporting case includes Dewansh Kanwar (Chapslee School), Aditi Sunta ( Rohru), and Dev Ranta (Rohru).
Other crew members are as followed.
- Assistant Directors: Mridul Surbhi, Shefali Chauhan & Ankit Rathore
- Camera: Yashwant Kumar Sharma from Shimla
- Music: Prabir Sekhri from Canada
- Sound: Tanmaya Das from Mumbai
- Visual Effects: Himanshu Hirwani from Pune
- Story/Direction: Siddharth Chauhan from Shimla
- Associate Producers: Swati Chauhan & Ankit Rathore (from Delhi)
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