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Review: “Heesan”- Touching play based on Dev Kanya’s story on woman exploitation staged at Gaiety Shimla

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Himachal Culture

SHIMLA- Very Recently, walls of Gaiety Theater in Shimla witnessed a remarkable stage performance during staging of Heesan – a play based on the story of Dr. Devkanya Thakur by the members of Rangpriya.

As the play began, a woman, between the age of 30 to 40, is seen contemplating her past life and how excited she was to become part of a local fair where her mother performed in front of Shivamaharaj palki. She was all mesmerized and star-struck by the beauty of her mother who is respected by all members may that be priest, rich merchant or any other to name. As a child she always considered herself to be daughter of Shivjimaraj and was always happy to learn all dance forms from her mother.

Devkanya Thakur

Time passed and she replaced her mother and unaware about the reality of “Heesan” her joy knew no bound. But her dreams were dashed to ground within hours as she was taken away by one of the members and physically assaulted. Thus began her journey as true “Heesan” – who is said to have been married to Lord Shiva and in name of her service is forced to serve male members of committee.

Shimla Gaiety Theater

She gets pregnant by one of the members who passes her over to other member. Just like a football in field that gets kicked and used by all but owned by none. She decided to educate her daughter and on this fruitful day she awaited her daughter’s examination result, who stands first.

Seeing her photograph in paper again the members of committee visit her house and say that it was time for her to pass on the legacy of Heesan to her daughter which she refuses and pleads her biological father to save her. All forcefully take her daughter away and convert her into Heesan.

Himachal Theater Artist

She is sitting lamenting over her fate when her daughter enters house with her father who finally stood up and took responsibility of her daughter and dismissed the fact that child is born out of union of Shiva and Heesan. Between the fight among phallus and spine, the spine won and restored everyone’s faith in Shivjimaharaj who is a great protector.

The play carried out very intense and heart wrenching scenes with perfect esthetic veil. The agony of a girl during her journey of becoming Heesan to a mother was conveyed without a miss. Her exploitation by all men was depicted with full intensity and beautifully that audiences could feel her pain as if that of their own.

Situation of father’s to be or not to be was beautifully expressed and till end it didn’t not seem that he had a spine to save his girl from falling prey to the evil practice of exploiting a woman by all in name of being Shiv Maraj’s servant (Shiv Dasi).

The play did complete justice to the story as it made audiences sympathies and empathies with the protagonist. It forced all to contemplate on the practices that exist in our society in the name of customs and rituals. If everyone decide and stand up against the wrong traditions where poor are exploited then time is not far earth itself will become paradise.

However, if considering the makeup then yes there one saw a miss as it was story of numerous years and during all the while only protagonist age showed difference and no other member of committee. They all didn’t even had a single grey hair nor any other physical change that is the gift of time to every individual.

Art & Culture

Book Review: ‘The Billionaire Raj: A Journey through India’s New Gilded Age’ by James Crabtree

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The Billionaire Raj A Journey through India’s New Gilded Age

For long, we all have broached the subject of India’s experiment with socialism. The state-controlled the various fields of business, planning was central; also the means of production were not with capitalists but with the state. The state promised to uplift the poor form the poverty, raise their living standard by utilization of these means of production to bring economic and social equality in society.

But years after embracing socialism growth was still sluggish, corruption percolating deep into the system, choices with the people were far and few. Inequality was, as ever, still prevalent in the society. Amenities like telephone and exuded power and exclusivity. The world mocked our “License Raj” and we became notorious for our Hindu Growth rate.

Eventually, the closed economy turned sclerotic and ran into trouble. On the contrary, economies worldwide grew rapidly, at this time. India was left with no other option, but to open its economy to the world. Finally, India yielded and opened its economy in 1991, with an hope of removing the ills of corruption, creating more jobs, removing social inequality and to overcome challenges of economic development. The new era of neo-liberalization was considered augury of prosperity and egalitarian society.

However, who would have imagined that within 27 years of opening up the economy, the majority of the wealth would be held by a handful of people. James Crabtree in his debut book, “The Billionaire Raj: A Journey through India’s New Gilded Age, offers an overview of this fascinating journey of India’s new Gilded Age.”

He writes,

Yet the decades after 1947, it at least grew economically more equal, with an elite that lived modestly by the standard of the industrialized West.

A silver lining to India’s bygone era of socialism.

The Billionaire Raj is the narrative of the breakneck rise of the Indian riches- Bollygarchs, as he calls them- corporate power, their lifestyle and the mansions.

The book is an overview of the concomitant of wealth: inequality, crony capitalism, massive corruption and mega scams. The writer explores the exorbitant funding of political parties by these tycoons, the costly affair of India’s election.

The book talks at length about the deep-rooted problem of mounting debt, IPL, about Modi and his tenure as Prime Minister of India. The pro and cons of various reforms ushered under his regime. Mr. Crabtree is successful in raising the fundamental question that holds imperative to India’s future.

The book is well researched, the exceptional storytelling skill of the writer keeps the readers engrossed; the personal interview with various business tycoons like Vijay Mallya, Naveen Jindal, Gautam Adani etc, offer the readers classic vignettes of their life, their perspective about the event that unfolded in this age.

The writer has successfully flagged various fissures as a warning that can pull India down. The country will have to fix these fissures first, only then it can fulfil the ambition to lead Asia.

Today India stands at the crossroads of what sort of superpower it will become

, he further writes.

Mr. Crabtree offers an optimistic view about India’s future:

India’s new Gilded Age can blossom into a progressive Era of its own, in which the perils of inequality and crony capitalism are left decisively behind,

he writes.

The Billionaire Raj will make us ruminate about the era of Neo-liberalization, as we did aggressively about Indian Socialism in the past. The Billionaire Raj is an eye-opener for all of us and will certainly be helpful in paving the way for our future ahead. The book is Locus classicus on the contemporary history of India- a must read for every Indian.

About James Crabtree

James Crabtree, a former Mumbai bureau chief for The Financial Times. He spent 5 years in India before moving to Singapore. At present, he is an Associate Professor at Lee Kuan Yew School of Public Policy, Singapore.

Book Review by Sunny Grack, Kotgarh, Shimla

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Art & Culture

HIMCOSTE’s workshop to aware rural artisans of Geographical Indications Act

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HIMCOSTE WOrkshop on Geographical Indications

Shimla: The Himachal Pradesh Patent Information Centre (HPPIC) established under the aegis of Himachal Pradesh Council for Science, technology and Environment (HIMCOSTE) has been declared as the nodal agency for the filing of Geographical Indications applications for traditional valuable products of H.P under Geographical Indications of Goods (Registration and Protection) Act, 1999, IFS Kunal Satyarthi Member Secretary, HIMCOSTE, today informed.

He said till date, the Centre has been able to obtain registration for Kullu shawl, Kangra Tea, Kinnauri Shawl, Chamba Ruma and Kangra Paintings under Geographical Indications of Goods (Registration and Protection) Act, 1999.

The applications of Chamba Chappal, Kala Zeera, Chulli Oil are under process with the Registrar of Geographical indications at Chennai
.
The Centre has identified a number of products (agriculture/horticulture/handicrafts/metal crafts etc.) for registration under GI Act, 1999 (for eg. Bharmour Rajmah, Chamba Chappal, Chamba metal crafts, Angoori, Kalpa Wine, Kinnauri Apple, Rajmah).

Also, the Centre has facilitated registration of about 200 Authorized Users (AU) of registered GIs from H.P.

Recently, the State Govt.has issued a notification on State Level committee on Registration and Protection of Goods in H.P and the State Govt. has also issued a notification regulation of Kullu Shawl GI under the Chairmanship of D.C Kullu.

The above committees would perform the task of checking falsification /counterfeiting of Registered GIs in H.P and would approach the appropriate authorities for taking necessary action in the matter.

HIMCOSTE’s One-Day GI Awareness Workshop

On August 3, 2018, one-day awareness workshop on Geographical Indication, “Creating Value through Geographical indication” will be organized by HIMCOSTE in collaboration with Department of Industrial Policy and Promotion (DIPP), Ministry of Industry and Commerce, GoI.

Through this workshop, the HIMCOSTE aims to spread awareness and make the participants aware of the Geographical Indications Act. It would result in providing commercial opportunities to rural artisans of District Kullu, which in turn would result in the socio-economic development of rural artisans. During the workshop, applicants would be asked for registration of Authorised Usership of Kullu Shawl under Geographical Indications (Registration and Protection) of Goods Act, 1999.

After the workshop, D.C Kullu would chair a meeting of the committee constituted by Govt. of Himachal Pradesh. Issues related to infringement of Kullu Shawl and regulation of Kullu Shawl GI would be discussed in the meeting. About 200 participants would attend the workshop.

The Chief Guest for the workshop will be Minister of Forests, H.P Govind Singh Thakur. Yunus Khan, Deputy Commissioner, Kullu, IPS Shalini Agnihotri, Superintendent of Police, Kullu and will be the Guest of Honour.

On behalf of HIMCOSTE, Sh. Kunal Satyarthi, IFS, Member Secretary, HIMCOSTE will remain present during the workshop.

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Art & Culture

Incentives to Himachali films under State’s own Film Policy: Govt

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Film policy of Himachal Pradesh

Shimla: The Himachal Pradesh Government today announced that it would form its own film-policy and will encourage local films and artists in various ways.

A meeting regarding formulating the film policy of the State was held here today under the chairmanship of Additional Chief Secretary Dr. Shrikant Baldi.

Speaking on the occasion, Dr. Baldi said the state had the advantage of adventurous, heritage, spiritual, seasonal and unexplored destinations and the efforts would be made to attract the filmmakers for film production in the state.

He said that the cultural, mythological, historical heritage and glorious traditions of the state would also be publicized in a big way to attract investment in the film sector in the state.

The government would endeavour to provide an opportunity to the talents in the field of acting and other related fields besides generating employment opportunities to the youth of the state.

Dr. Baldi said that production of regional films based on Himachali dialects would be especially encouraged, for which the government would provide various incentives to the producers.

Various other important issues like establishing required infrastructure and to make available desired facilities to the filmmakers and providing them attractive financial incentives were also discussed in the meeting.

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